Tommy Lee Jones

Tommy Lee Jones

Sponsored Links:

Birth name: Tommy Lee Jones
Date of birth: 15 September 1946
Place of birth: San Saba, Texas, USA
Nickname: Tom, TLJ
Height: 6′ 1″ (1.85 m)
Spouse: Dawn Jones (19 March 2001 – present), Kimberlea Gayle Cloughley (30 May 1981 – 1996) (divorced) 2 children, Kate Lardner (1971 – 1978) (divorced)

Famous Quote: “I’ve worked with more than 50 directors and I’ve paid attention since day one. That’s pretty much been my education, apart from studying art history and shooting with my own cameras. I’ve seen 50 different sets of mistakes and 50 different ways of achieving. You just leave the bad part out.”

Contact Address and Autograph: Addresses and fan mail information

Tommy Lee Jones
P.O. Box 966
San Saba, TX 76877
USA 

Biography:  Tommy Lee Jones (born September 15, 1946) is an Academy Award-winning American actor and director. He is well noted for his appearances in a string of Hollywood blockbuster films in the 1990s. Despite wading through a significant amount of dreck at the beginning of his career, actor Tommy Lee Jones emerged to become one of the most admired and respected film stars of his generation. An inauspicious start on the daytime soap “One Life to Live” (ABC, 1967- ) eventually led to leading roles in made-for-television movies like “The Amazing Howard Hughes” (CBS, 1977) and “The Executioner’s Song” (NBC, 1982) that clearly demonstrated his acting prowess. 

An Emmy award win for “Lonesome Dove” (CBS, 1989) raised his fortunes for good, leading to defining film roles in “JFK” (1991), “The Fugitive” (1993) and “Men in Black” (1997). Though he settled into a rut playing the grizzled veteran looking for redemption in below the radar fare like “The Hunted” (2003) and “The Missing” (2005), Jones found himself the talk of Oscar buzz once again with empathetic performances in “No Country For Old Men” (2007) and “In the Valley of Elah” (2007), both of which affirmed his status as an actor able to deliver some of the most powerful and nuanced performances of recent memory.

Jones was born in San Saba, Texas, the son of Lucille Marie (née Scott), a police officer, school teacher, and beauty shop owner, and Clyde C. Jones, an oil field worker; the two were married and divorced twice. Jones, an eighth-generation Texan, has a Cherokee Native American grandparent. He was a resident of Midland, Texas and attended the same high school (Robert E. Lee) as First Lady Laura Bush.

Jones graduated from the St. Mark’s School of Texas (where he is now on the board of directors) and attended Harvard on a scholarship, where he lived in Mower B-12 as a freshman, across the hall from future Vice President Al Gore. As an upperclassman, he was roommates with Gore and Bob Somerby, who later became editor of the media criticism site, the Daily Howler. Another actor who rose to prominence, John Lithgow, also lived in Dunster House. Jones played offensive tackle on Harvard’s undefeated 1968 varsity football team, was nominated as a first-team All-Ivy League selection, and played in the memorable and literal last-minute Harvard sixteen-point comeback blitz to tie Yale in the 1968 Game. Jones graduated cum laude with a degree in English in 1969.

Jones was raised an only child by his father, Clyde, a ranch hand-turned-oil rigger, and mother, Lucille Marie, a beauty parlor owner. His father’s job led the family from one West Texas oil town to another before finally settling in Midland. Despite a rough-and-tumble image, even as a child, Jones excelled both in both academics and athletics. He received an athletic scholarship to attend St. Mark’s School of Texas – an elite all-boys prep school in Dallas – where he played both football and soccer. It was at St. Mark’s that Jones’ interest in performing on stage reached fruition – he watched a group of boys rehearsing for a production of “Mister Roberts” and soon followed suit. His first play was Dylan Thomas’ “Under Milk Wood,” which was soon followed by several other performances, including a turn as Sir Thomas More in “A Man For All Seasons.”

After graduating from St. Mark’s, the erudite Jones attended Harvard University where he wound up rooming with future vice president and Nobel Prize winner Al Gore. He also continued playing football and acting, though the latter took on more significance as time wore on. During the summer, Jones performed in repertory theater alongside contemporaries John Lithgow, Stockard Channing and James Wood in Cambridge, MA, a time he described as “the best experience I had in theater.” (The Lost Angeles Times, Aug. 1, 1993). Jones thrived at Cambridge, honing his already considerable gifts in productions of Shakespeare, Brecht, and Pinter. He graduated Harvard cum laude in 1969 with a degree in English, then moved to New York City to continued performing on stage. Unlike most actors, however, Jones landed work right away and worked steadily for the rest of his life. He landed his first film role in “Love Story” (1970), playing one of Ryan O’Neal’s roommates, then had more prominent roles in two low-budget indies, “Life Study” (1972) and “Eliza’s Horoscope” (1972). Right from the start, Jones’ career was off and running.

Jones then moved to New York City to become an actor. He started acting on Broadway and in television. He made his debut in movies in Love Story, in 1970 (Erich Segal, the author of “Love Story” has said that he based the lead character of Oliver on the two undergrad roommates he knew while teaching at Harvard, Jones and Al Gore.). Between 1971 and 1975, he portrayed Dr. Mark Toland on the ABC soap opera, One Life to Live, and then he played the role of an escaped convict who was hunted down by the police in Jackson County Jail (1976). In 1977 he co-starred in Rolling Thunder and in 1978 he starred opposite Sir Laurence Olivier in The Betsy.

In 1981, he played a drifter opposite Sally Field in Back Roads, a comedy that received middling reviews and grossed $11 million at the box office. In 1983, he received an Emmy for Best Actor for his performance as murderer Gary Gilmore in a TV adaptation of Norman Mailer’s The Executioner’s Song. In the same year he also starred in pirate adventure Nate and Hayes, playing the heavily bearded Captain Bully Hayes.

Despite a foray into the film world, Jones continued doing theater in New York for a few years. He then made the jump to the small screen after landing the role of Dr. Mark Toland on the soap opera “One Life to Live.” He learned the ins and outs of three-camera productions in about a month, then spent the next four years grinding away in the vapid wasteland of daytime television. Jones eventually quit the show, though producers convinced him to stick around another couple of weeks so they could appropriately write the character off the show. He agreed, and in that time saw the once impeccably decent Dr. Toland get turned into an adulterer, drug addict, rapist and murderer without rhyme or reason. Back on film, Jones had his first starring role in “Jackson County Jail” (1976), playing a con on the lam with a fellow jailhouse inmate (Yvette Mimieux) who kills a psychopathic prison guard after getting raped and beaten.

Before there was Leonardo DiCaprio, Jones played his version of Howard Hughes in the made-for-television miniseries “The Amazing Howard Hughes,” an intriguing, but ultimately dull look at the airline tycoon’s life and loves. Jones continued his rise to leading man status, starring opposite William Devane in “Rolling Thunder” (1977) and playing a police detective supposedly protecting a successful photographer (Faye Dunaway) from a serial killer in “Eyes of Laura Mars” (1978). He was overshadowed by Sissy Spacek’s Oscar-winning performance as country-western singer Loretta Lynn in “Coal Miner’s Daughter” (1980), then failed to attract much attention as an unemployed drifter who goes in search of his California dream with a prostitute (Sally Field) in “Back Roads” (1981). But Jones received his proper due with his performance as convicted murderer Gary Gilmore in the made-for-television miniseries “The Executioner’s Song,” based on Norman Mailer’s Pulitzer Prize-winning novel. His searing portrayal of Gilmore during his final nine months – which included parole, re-imprisonment and finally death by firing squad – earned Jones his first major award: an Emmy for Outstanding Actor in a Drama Special.

Returning to his theatrical roots, Jones starred as the charismatic Bill Starbuck, a traveling pitchman who tries to con a farm spinster (Tuesday Weld) into letting him cure the drought devastating her family’s farm in “The Rainmaker” (HBO, 1982). After taking to the high seas as the captain of a pirate ship in “Nate and Hayes” (1983), Jones returned to the small screen for an adaptation of Tennessee Williams’ “Cat On a Hot Tin Roof” (PBS, 1984), playing Brick, a former football player having marital problems with his wife, Maggie (Jessica Lange), that stem from him questioning his own sexuality. Up to this point, Jones had made a significant impact on television, but had failed to do the same on the big screen. Roles in movies like “Black Moon Rising” (1986) and “The Big Town” (1987) failed to propel the actor further in his feature career. Back on television, he delivered one of most important and noted small screen portrayals in “Lonesome Dove,” playing Woodrow Call, a taciturn cowboy who convinces his fun-loving partner (Robert Duvall) to go on one last adventure before riding off into the sunset. The acclaimed miniseries earned 18 Emmy award nominations, including one for Jones for Outstanding Lead Actor in a Miniseries or Special.

Despite his film career not living up to his work on television, Jones began to make a turn around as the 1980s came to a close, establishing himself as a bone fide film star. He delivered an unnerving portrayal as Cosmo, a swaggering mobster who competes with a Jazz club owner (Sting) over property and the attention of a beautiful woman (Melanie Griffith) in “Stormy Monday” (1988). After teaming with director Andrew Davis and Gene Hackman on “The Package” (1989), he finally came of age on the big screen with a riveting performance in “JFK.” Jones played Clay Shaw, a New Orleans businessman and former head of the International Trade Mart who became the only person ever prosecuted in connection with the assassination of President John F. Kennedy, thanks to the tireless and often ridiculed investigation by Orleans Parish District Attorney Jim Garrison (Kevin Costner). Because of his engaging performance, Jones earned an Academy Award nomination for Best Actor in a Supporting Role.

Now firmly atop the heap of leading actors, Jones continued to delight in eccentric heavies like “Under Seige” (1992), playing a disgruntled ex-CIA agent who leads a team aboard a nuclear submarine in attempt to snatch the nuclear warheads and sell them to a Middle Eastern country. Jones’ fun performance elevated what could very well have been another forgettable Steven Seagal actioner. He pulled out all the stops for his next project, “The Fugitive,” the stunning remake of the classic 1960s television series. Jones played a crafty and relentless U.S. marshal on the hunt for an escaped convict (Harrison Ford) trying to prove his innocence after being convicted of murdering his wife. Come award season, Jones found himself the winner of a Golden Globe and an Oscar for Best Performance by an Actor in a Supporting Role. Jones followed his A-list making role of U.S. Marshall Gerard with sub-standard, but high profile genre fare like “Blown Away” (1994) and “The Client” (1994). Jones turned up the creepiness factor to full throttle in “Natural Born Killers” (1994), playing a seedy warden of a prison housing a murderous couple (Woody Harrelson and Juliette Lewis)-turned-media darlings after going on a kill-crazy rampage across the country.

Jones continued a fruitful year with an uncompromising portrait of ambiguous baseball great Ty “Cobb” (1994) in the well-acted, but little-seen biopic. However, he went way over-the-top in “Batman Forever” (1995), chewing scenery as Two-Face, a crusading district attorney turned dualistic bad guy. Although the disaster picture “Volcano” (1997) blew up in his face, Jones was back on top with the blockbuster hit “Men in Black” – an “X-Files” meets “Ghostbusters” action-comedy for the eye-candy crowd. Based on the comic book creations of Lowell Cunningham, “Men in Black” chronicles two alien busters (Jones and Will Smith) in the pan-galactic version of Immigration and Naturalization Services (INS) who track down and subdue extraterrestrial invaders, “neutralizing” any witnesses (with the enormous ray guns atop their 1962 Ford LTDs) into believing the saucer that just flew by was St. Elmo’s fire or swamp gas. Played with maximum tongue-in-cheek kitsch, Jones’ Agent Kay – with his dead pan comic sense – was the perfect foil for Smith’s smart-alecky freshness.

Jones once again stepped into his award-winning role of Sam Gerard for the lesser-quality sequel “U.S. Marshals” (1998), this time hunting down a fugitive (Wesley Snipes) accused of two New York assassinations. After voicing the hard-nosed action figure-come-to-life Maj. Chip Hazard in “Small Soldiers” (1998), Jones appeared in the routine, but popular thriller “Double Jeopardy” (1999) opposite Ashley Judd, setting the template for a series of similar, affordably made films that typically teamed a woman in jeopardy (frequently Judd) with an older, father-figure-like A-list male star (typically Morgan Freeman). He also carried the weight of director William Friedkin’s slightly-better-than-routine military legal drama “Rules of Engagement” (2000) opposite Samuel L. Jackson, before lending his considerable charisma to his role as a daredevil pilot in director Clint Eastwood’s amusing comedy adventure “Space Cowboys” (2001), joining Eastwood, Donald Sutherland and James Garner as a quartet of over-the-hill astronauts who suit up to solve a world threatening crisis in space.

In the 1990s, movies such as The Fugitive co-starring Harrison Ford, Batman Forever co-starring Val Kilmer, and Men in Black with Will Smith brought him tens of millions of dollars and made him one of the top actors of Hollywood. 1991 brought him his first Academy Award nomination for JFK. His role in The Fugitive won him wide acclaim and an Academy Award for Best Supporting Actor. When he accepted his Oscar, his head was shaved for his role in the film Cobb, a situation he made light of in his speech by saying “All a man can say at a time like this is ‘I am not really bald.’”

After reuniting with Smith to reprise Agent Kay for the successful, but not well-received “Men in Black II” (2002), Jones starred in “The Hunted” (2003), an efficient, stripped down chase film that saw Jones play a retired FBI agent scouring the wilderness for a Special Forces assassin (Benecio del Toro) he trained who has dropped out of society while committing a series of murders. He then portrayed a world weary part Native American shaman who reunites with his distant daughter (Cate Blanchett) when one of her children is kidnapped in director Ron Howard’s disappointing Western thriller “The Missing” (2003). Radically shifting gears, Jones tried his hand at a lightweight comedy with thriller elements in “Man of the House” (2005), playing a no-nonsense Texas Ranger forced to oversee a quintet of ditzy college cheerleaders who witness a murder. Jones gamely tried his hand at comedy and light romance, but seemed far too accomplished to have much tolerance for the lowbrow material.

In 2005, he released his first feature-film The Three Burials of Melquiades Estrada, that was presented at the 2005 Cannes Film Festival. It won him the Best Actor Award. His first film as director was in 1995, a made-for-television movie. Two strong performances in 2007 have marked a resurgence in Jones’ career, with his portrayal of a beleaguered father looking for his son in In the Valley of Elah and as a sheriff hunting an assassin in the critically acclaimed No Country for Old Men. For the former, he was nominated for an Academy Award.

It was only a matter of time that Jones would try his hand at directing. With “The Three Burials of Melquiadas Estrada” (2005), a bleak, but poignant western centered around a brand new border patrol agent (Barry Pepper) who, in a panic, hastily guns down an illegal immigrant (Julio Cesar Cedillo), then unceremoniously buries him in the desert. Along comes a grizzled rancher (Jones) upset over the dead man’s shoddy treatment, who kidnaps the border agent, forces him to dig up the body, then takes both on a dangerous journey to Mexico in order to seek justice. Jones was hailed by many critics for his triumphant debut and even earned an Independent Spirit Award nomination for Best Feature. Jones next turned in a cameo performance as a hit man-turned-door keep in “A Prairie Home Companion” (2006), Robert Altman’s fictional take on Garrison Keillor’s long-running radio show that featured an unusual cast of local talent and the host’s rambling monologues about the ideal town, Lake Wobegon.

In 2007, Jones had perhaps his best year to date in front of the camera. For “In the Valley of Elah” (2007), he played a former military MP who goes in search of his son – an Iraq war veteran – after receiving a call that he’s gone AWOL. The father teams up with a reluctant police detective (Charlize Theron) and, along the way, discovers that his son may have been murdered. Jones gave a muted and agonizing performance as a grieving father learning the truth behind his son’s time spent in Iraq, rightfully earning heaps of critical praise and several award nominations, including one for an Oscar for Best Actor in a Leading Role. Right on the heels of “Elah” came “No Country For Old Men” (2007), a bleak, but tense crime thriller about a down-and-out Vietnam vet (Josh Brolin) who finds a briefcase containing $2 million in the desert near the remains of a bloody drug deal gone bad. Taking the satchel of cash only makes Moss’ life worse, forcing him to elude all manner of pursuers, including a deadly assassin (Javier Bardem) who flips coins for human lives and an aging sheriff (Jones) at the end of his tether. For his work, Jones earned nominations at the Golden Globes and Screen Actors Guild Awards for Best Supporting Actor. 

Jones has also become a spokesperson for popular Japanese brewing company Suntory since April 2006. Seen in various Japanese TV commercials of Suntory’s Coffee brand BOSS as a character “Alien Jones”, a extraterrestrial who takes in a form of a human being as a undercover to check on the world of humans. There are 12 such commercials that can be seen on Youtube. At the 2000 Democratic National Convention, he presented the nominating speech for his college roommate, Al Gore, as the Democratic Party’s nominee for President of the United States.

Jones was married to Kate Lardner, the daughter of Ring Lardner Jr. from 1971 to 1978. Jones has two children from his second marriage to Kimberlea Cloughey: Victoria Kafka (born 1991) and Austin Leonard (born 1982). On March 19, 2001, he married his third wife, Dawn Laurel. Jones resides in Terrell Hills, Texas, a community in San Antonio. He reportedly owns a large ranch in San Saba County, Texas off Chappell Hill Rd. His voice has been known in the Hollywood scene as monotone.

Related People: