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Forest Steven Whitaker (born July 15, 1961) is an Academy Award-, Golden Globe-, and Emmy-winning American actor, producer, and director. For his performance as Ugandan dictator Idi Amin in the 2006 film The Last King of Scotland, Whitaker has won several major awards, including an Oscar, a Golden Globe, and a BAFTA. He became the fourth African American to win an Academy Award for Best Actor, following in the footsteps of Sidney Poitier, Denzel Washington, and Jamie Foxx. Whitaker immersed himself in the details of Amin's life to prepare himself for the part. He has earned a reputation for this kind of intensive character study work for films such as Bird and Ghost Dog: The Way of the Samurai. However, for his recurring role as Lieutenant Jon Kavanaugh on the gritty television series, The Shield, Whitaker has merely had to draw on his childhood years growing up in South Central Los Angeles, California. Soft-spoken but carrying a talent every bit as huge as his imposing bear-like physique, Forest Whitaker started college on an athletic scholarship, but the charismatic African-American all-league defensive standout soon dropped football, studying first to become a classical tenor before shifting to acting. After playing high school athletes in a few ambitious teen flicks ("Fast Times at Ridgemont High" 1982; "Vision Quest" 1985), Whitaker gained notice as a charmingly duplicitous billiards opponent of Paul Newman in Martin Scorsese's "The Color of Money" (1986). Feature supporting roles followed in films like "Platoon" (1986), "Stakeout" and "Good Morning, Vietnam" (both 1987), in which he shone as Robin Williams's sidekick, a likable big man too timid for his own body. Whitaker graduated to leading man status under the direction of Clint Eastwood for the dark biopic "Bird" (1988), earning Best Actor honors at the Cannes Film Festival for his deft portrayal of jazz legend Charlie Parker. Whitaker was born in Longview, Texas, but his family moved to South Central Los Angeles when he was four. His father, Forest Whitaker, Jr., was an insurance salesman and the son of novelist Forest Whitaker, Sr. His mother, Laura Francis (née Smith), was a special education teacher who put herself through college and earned two Masters degrees while raising her children. Whitaker has two younger brothers, Kenn and Damon, and an older sister, Deborah. As a teenager, Whitaker commuted from Carson to wealthy Palisades High School on LA's West Side. There, he was all-league defensive tackle on the football team quarterbacked by Jay Schroeder, a future NFL player. While in high school, he also took voice lessons, performed in musicals, and caught the "acting bug" ; his first role as an actor was the lead in Dylan Thomas' play, Under Milk Wood. Whitaker graduated from "Pali High" in 1979. Whitaker then attended the California State Polytechnic University, Pomona on a football scholarship, but left due to a debilitating back injury when he was hurt in training by defensive end Manny Duran. He was accepted to the Music Conservatory at the University of Southern California (USC) to study opera as a tenor, and subsequently was accepted into the University's Drama Conservatory. He graduated from USC in 1982. He also earned a scholarship to the Berkeley, California branch of the Drama Studio London. Whitaker played a kindly plastic surgeon in "Johnny Handsome" (1989), and the actor's heavy-lidded, unhurried delivery suggested the naivete of his Mama's Boy character in "A Rage in Harlem" (1991) and the skeptical intelligence of his insurance investigator in "Consenting Adults" (1992). All three projects showed how easily he could rise above otherwise bland material. He displayed a mesmerizing depth in "Diary of a Hitman" (1991, released in the USA in 1992), the feature directing debut of acting coach Roy London. Hired to knock off the wife and child of a born-again commodities broker who claims his wife is a drug addict and the infant crack baby not his, Whitaker goes about saving the intended victim (and himself) when he discovers the broker lied in this modest, expertly-acted indie. He was also quietly, irresistibly sympathetic as a British soldier kidnapped by the IRA in Neil Jordan's highly praised "The Crying Game" (1992). Whitaker has a long history of working with well-regarded film directors and fellow actors. In his first onscreen role of note, he played a football player in Amy Heckerling's 1982 coming-of-age teen-comedy, Fast Times at Ridgemont High.[8] He co-starred alongside Nicolas Cage, Phoebe Cates, and Sean Penn. In 1986, he appeared in Martin Scorsese's film, The Color of Money (with Paul Newman and Tom Cruise), and in Oliver Stone's Platoon. The following year, he co-starred with Robin Williams in the comedy Good Morning, Vietnam. In 1988, Whitaker played the lead role of musician Charlie Parker in the Clint Eastwood-directed film, Bird. To prepare himself for the part, he sequestered himself in a loft with only a bed, couch, and saxophone, having also conducted extensive research and taken alto sax lessons. His performance, which has been called "transcendent," earned him the Best Actor award at the Cannes Film Festival and a Golden Globe nomination. Whitaker continued to work with a number of well-known directors throughout the 1990s. Neil Jordan cast him in the pivotal role of "Jody" in his 1992 film, The Crying Game. Todd McCarthy, of Variety, described Whitaker's performance as "big-hearted," "hugely emotional," and "simply terrific." In 1994, he was a member of the cast that won the first ever National Board of Review Award for Best Acting by an Ensemble for Robert Altman's film, Prêt-à-Porter. He gave a "characteristically emotional performance" in Wayne Wang and Paul Auster's 1995 film, Smoke. The unexpected commercial success of that film led to increased interest in Whitaker's long-form directorial debut (he had previously directed music videos), "Strapped" (HBO, 1993). Filmed on location in Brooklyn's notorious Fort Greene district, the gritty urban drama screened at various international film festivals and earned the director's award for best first feature in Toronto. Deluged with offers to direct, Whitaker remained a familiar face on screen while pondering his filmmaking future, segueing effortlessly from Hollywood genre fare, both big-budget ("Blown Away" 1994; "Species" 1995) and small ("Body Snatchers" 1993). His ability to evoke audience empathy continued undiminished as he affectingly portrayed physically and mentally maimed fathers in "Jason's Lyric" (1994) and "Smoke" (1995). Admirably unafraid to play gay characters, Whitaker also fared well as a down-to-earth designer in Robert Altman's misfired satire, "Ready to Wear (Pret-a-Porter)", and returned to the world of jazz as trumpeter Buddy Chester, stricken with a fatal brain tumor in Showtime's "Lush Life" (both 1994). Whitaker played a serene, pigeon-raising, bushido-following, mob hit man in Ghost Dog: The Way of the Samurai, a 1999 film written and directed by Jim Jarmusch. Many consider this to have been a "definitive role" for Whitaker. In a manner similar to his preparation for Bird, he again immersed himself in his character's world—he studied Eastern philosophy and meditated for long hours "to hone his inner spiritual hitman." Jarmusch has told interviewers that he developed the title character with Whitaker in mind; the New York Times review of the film observed that, "[I]t's hard to think of another actor who could play a cold-blooded killer with such warmth and humanity." Whitaker next appeared in what has been called one of the "worst films ever made," the 2000 production of Battlefield Earth, based on the novel of the same name by L. Ron Hubbard. The film was widely criticized as a notorious commercial and critical disaster. However, Whitaker's performance was lauded by the film's director, Roger Christian, who commented that, "'Everybody's going to be very surprised'" by Whitaker, who "'found this huge voice and laugh.'" BattleField Earth "won" seven Razzie Awards; Whitaker was nominated for Worst Supporting Actor, but lost to his co-star, Barry Pepper. In 2001, Whitaker had a small, uncredited role in the Wong Kar-wai-directed The Follow, one of five short films produced by BMW that year to promote its cars. He co-starred in Joel Schumaker's 2002 thriller, Phone Booth, with Kiefer Sutherland and Colin Farrell. That year, he also co-starred with Jodie Foster in Panic Room. His performance as the film's "bad guy" has been described as "a subtle chemistry of aggression and empathy." Whitaker's school security guard ("a $5 cop with a $50 attitude") ends up a hostage in "Light It Up" (1999), a thoughtful, if too-often predictable teen drama. He also played a Federal Marshal who gets his kicks watching low-lifes squirm in that year's "Witness Protection" (HBO). He then stepped back into the shoes of a hitman as the titular character of Jim Jarmusch's whimsical "Ghost Dog: The Way of the Samurai" (1999), imparting a dignified gravity to the character's meticulously ordered existence defined and regulated by an 18th-century text, "Hagakure: The Book of the Samurai". Whitaker's complete immersion in and dead-on rendering of Jarmusch's anachronistic antihero, coupled with The RZA's high-voltage, hip-hop score, went a long way toward making what is arguably Jarmusch's most accessible film his most commercial one. He re-teamed with producer-star Travolta as evil dominators of the remnants of mankind in the notoriously awful sci-fi opus "Battlefield Earth: The Saga of the Year 3000" (2000), adapted from the novel by Scientology founder L. Ron Hubbard. Following a supporting turn in Vietnamese refugee tale "The Green Dragon" (2001) and a stint as Daguerreotypist Picard in the CBS television miniseries "Feast of All Saints" (2001) based on the Anne Rice horror novel, Whitaker made a believably reluctant villain as part of the team of home invaders who trap Jodie Foster in a secured zone in the David Finch thriller "Panic Room" (2002). He also made the most of what might have been a cliched role in "Phone Booth" (2002), playing an empathetic police captain who comes to the aid of a man (Colin Farrell) trapped in a telephone booth by a mysterious sniper. Whitaker's greatest success to date is the 2006 film, The Last King of Scotland. To prepare for his role as dictator Idi Amin, Whitaker gained 50 pounds, learned to play the accordion, and immersed himself in research. He read books about Amin, watched news and documentary footage, and spent time in Uganda meeting with Amin's friends, relatives, generals, and victims; he also learned Swahili and mastered Amin's East African accent. His performance earned him the 2007 Academy Award for Best Actor in a Leading Role, making him the fourth African-American actor in history to do so. For that same role, he also received the Golden Globe Award for Best Actor in a Motion Picture Drama, the Screen Actors Guild Award, a British Academy of Film and Television Arts (BAFTA) Award, and accolades from the New York Film Critics Circle, the Los Angeles Film Critics Association, the National Board of Review and the Broadcast Film Critics Association. Whitaker next moved into television, taking the reigns from Rod Serling as the host of UPN's revival of "The Twilight Zone" (2002-2003), executive produced the acclaimed TVT original film "Door to Door" (2002) starring William H. Macy, then appeared in the fact-based telepic "Deacons for the Defense" (2003) as the founder of the segregation-opposed organization of the 1960s who took up arms to oppose racial discrimination and battle the Ku Klux Klan. Meanwhile, on the big screen, the actor also served as a producer of the Latina-centric comedy "Chasing Papi" (2003), then, after coming close to directing a live-action version of Bill Cosby's animated series "Fat Albert" but ultimately departing the project, he moved behind the camera to direct Katie Holmes in "First Daughter" (2004), a lightweight tale of a headstrong, rebellious Presidential offspring who goes off to college and finds love with the undercover Secret Service agent secretly assigned to protect her (Whitaker also provided narration for the fairy tale-like production). In 2002, Whitaker was the host and narrator of 44 new episodes of the Rod Serling classic, The Twilight Zone, which lasted one season on UPN. Whitaker returned to television in 2006 when he joined the cast of FX's police serial The Shield, as Lieutenant Jon Kavanaugh, who is determined to prove that the lead character, Vic Mackey, is a dirty cop. He received rave reviews for his performance — Variety called it a "crackling-good guest stint" — and he reprised the role in the show's 2007 season. In the fall of 2006, Whitaker started a multi-episode story arc on ER as Curtis Ames, a man who comes into the ER with a cough, but quickly faces the long-term consequences of a paralyzing stroke; he then takes out his anger on Doctors Luka Kovac and Abby Lockhart. Whitaker received a 2007 Emmy nomination for his performance on the series. Also in 2006, Whitaker appeared in T.I.'s video "Live in the Sky" alongside Jamie Foxx. On February 10, 2007, Whitaker hosted Saturday Night Live. His singing talent was featured in several sketches, including a sketch about a singing waiter who can sing notes that can only be heard by dogs. Whitaker starred in a 30-second ad for Cingular/AT&T which can only be seen at movie theaters, reminding moviegoers to silence their cell phones before the movie starts. Whitaker branched out into producing and directing in the 1990s. He co-produced and co-starred in A Rage in Harlem in 1991. He made his directorial debut with a grim film about inner-city gun violence, Strapped, for HBO in 1993. In 1995, he directed his first feature, Waiting to Exhale, which was based on the Terry McMillan novel of the same name. Roger Ebert observed that the tone of the film resembled Whitaker's own acting style: "measured, serene, confident." Whitaker also directed co-star Whitney Houston's music video of the movie's theme song ("Shoop Shoop"). Whitaker continued his directing career with the 1998 romantic comedy, Hope Floats, starring Sandra Bullock and Harry Connick, Jr. He directed Katie Holmes in the romantic comedy, First Daughter in 2004; he had co-starred with Holmes in Phone Booth in 2002. Whitaker also served as an executive producer on First Daughter. He had previously executive produced several made-for-television movies, most notably the 2002 Emmy-award winning Door to Door, starring William H. Macy. He produced these projects through his production company, Spirit Dance Entertainment, which he shut down in 2005 to concentrate on his acting career. In addition to the numerous awards Whitaker won for his performance in The Last King of Scotland, he has also received several other honors. In September 2006, the 10th Annual Hollywood Film Festival presented him with its "Hollywood Actor of the Year Award," calling him "one of Hollywood's most accomplished actors." Also he has been honored as being a person who people actually claim to be. One boy from St. Louis claimed he "was" Forest Whitaker after watching Whitaker's newest film, Vantage Point. He was also honored at the Santa Barbara International Film Festival 2007, where he received the American Riviera Award. Previously, in 2005, the Deauville (France) Festival of American Film paid tribute to him. Whitaker was given a star on the Hollywood Walk of Fame on Monday, April 16th, 2007. In 1996, Whitaker married fellow actress Keisha Nash, whom he met on the set of Blown Away. The Whitakers have four children: two daughters together (Sonnet and True), his son (Ocean) from a previous relationship, and her daughter (Autumn) from a previous relationship. Whitaker, who is a vegetarian, has recorded a public service announcement with his daughter, True, promoting vegetarianism on behalf of People for the Ethical Treatment of Animals (PETA). Whitaker also studies yoga and has a black belt in karate. Film critics often mention Whitaker's left eye ptosis (eyelid) : it is considered "intriguing" and "gives him a sleepy, contemplative look." Whitaker has explained that the condition is hereditary and that he has considered having surgery to correct it, not for cosmetic reasons but because it affects his vision. |
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