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Eli Roth (born April 18, 1972) is an American film director, producer, writer and actor. Considered one of the most profitable directors working in Hollywood during the early years of the new millennium, horror helmer Eli Roth made his bones with two back-to-back box office hit chillers. The first "Cabin Fever” (2002) was a surprise hit when it was released and became an even huger hit on DVD. Roth’s sophomore outing the disturbing "Hostel" (2006) did even better, wracking up a staggering $20 million in its opening weekend. Between them, Roth’s first two films would earn over five times their production costs at the box office in their opening weekends alone. Known for his low-budget approach to filmmaking, Roth’s films eschewed big-name stars in favor of original storylines, haunting moods and tight pacing. He established himself as a director after his first film Cabin Fever. Roth is considered the pioneer member of a group of filmmakers recently dubbed the Splat Pack (a play on the term Rat Pack, referring to a group of 1950s/1960s entertainers), because of their close ties to one another and their dedication to the horror genre. Roth is widely credited with bringing back R rated horror, which had all but disappeared from cinemas before "Cabin Fever" was released, and for making extremely violent low-budget horror films mainstream worldwide box office hits. In 2007, the very much in demand Roth directed a fake trailer segment for the Quentin Tarantino-Robert Rodriguez double feature homage, “Grindhouse,” entitled “Thansgiving.” Although the double-billed film did middling box office, any attachment to Rodrigquez and Tarantino proved to be instant street cred in Hollywood. That same year also saw the release of his inevitable sequel, "Hostel Part II" (2007). Although the second installment performed less impressively than its predecessor did, it still wound up turning a tidy little profit as with all major Roth films. Eli Roth began shooting super 8 films at the age of eight, after watching Ridley Scott's "Alien," and deciding he wanted to be a producer/director. Roth made over 50 short films with his brothers and friends before attending film school at N.Y.U., where he won a student Academy Award and graduated Suma Cum Laude in 1994. He worked in film and theater production in New York City for many years, doing every job from production assistant to assistant editor to assistant to the director. By the age of 20 Roth was development head for producer Fred Zollo, and eventually left to write full time. To earn his living, Roth did budgets and schedules for such films as "A Price Above Rubies" and "Illuminata," and often worked as a stand-in, where he could watch the director work with the actors. In 1995, Roth co-wrote "Cabin Fever" with friend Randy Pearlstein, and the two spent many years unsuccessfully trying to get the film financed. Roth left New York in 1999 to live in Los Angeles, and within four months got funding for his animation series "Chowdheads." Roth and friend Noah Belson (Cabin Fever's "Guitar Man") wrote and voiced the episodes, which Roth produced, directed and designed. The episodes were due to run on W.C.W.'s #1 rated series "Monday Nitro," but the C.E.O. was fired a day before they were scheduled to air, and the episodes never ran. Roth used the episodes to set up a stop motion series called "The Rotten Fruit," which he produced, directed and animated, as well as co-wrote and voiced with friend Noah Belson. Between the two animated series, Roth worked closely with director David Lynch, producing content for the website davidlynch.com. In 2001, Roth filmed "Cabin Fever" for a shoestring budget of $1.5 million, with private equity he and his producers raised from friends and family. The film was the subject of a bidding war at the 2002 Toronto Film Festival, eventually going to Lion's Gate, instantly doubling the "Cabin Fever" investors' money. "Cabin Fever" went on to not only be the highest grossing film for Lion's Gate in 2003, but the most profitable horror film released that year, garnering critical acclaim from The New York Times, Rolling Stone, Empire Magazine, and such filmmakers as Peter Jackson, Quentin Tarantino, and Tobe Hooper. Roth used the "Cabn Fever"'s success to launch a slew of projects, including "Scavenger Hunt," a teen comedy he will write and direct for Universal Studios, and "The Box," a horror thriller he is co-writing with Richard Kelly that Roth will direct. In May of 2003, Roth joined forces with filmmakers Boaz Yakin, Scott Spiegel, and Greenestreet Films in New York to form Raw Nerve, LLC, a new production company that will produce 3-5 intense, scary, lower budget horror films annually. Roth was born in Boston, Massachusetts to Dr. Sheldon Roth, a psychiatrist psychoanalyst and professor at Harvard University, and Cora Roth, a painter. He had a Jewish upbringing. Roth began shooting films at the age of eight after watching Ridley Scott's Alien (1979). He made over 50 short films with his brothers Adam and Gabe before graduating at Newton South High School and attending film school (the Tisch School of the Arts) at New York University, from which he graduated in 1994. By the age of 20, and while still a student at NYU, Roth was an intern / office manager / development head for producer Frederick Zollo, eventually leaving to devote himself to writing full-time. To earn his living, Roth did budgets and schedules for films such as A Price Above Rubies and Illuminata. After chatting together at her mother's seder, actress Camryn Manheim gave Roth one of his first jobs in Hollywood, putting him on as an extra on The Practice when he first moved to Los Angeles. (Roth had originally met Manheim in NYC at a 1993 premiere.) Roth would stay in Manheim's dressing room working on his scripts while she filmed the show. Roth also met Manheim's cousin Howie Nuchow (former EVP of Mandalay Sports Entertainment and also from the Boston, MA area) at this same seder -- this led to Roth's two animation projects in the years that followed. Roth also co-wrote a project called "The Extra" with Manheim; Manheim would later sell the pitch to producer (and former CEO and Chairman of Fox Studios) Bill Mechanic's Pandemonium company. his final years (1993/1994) at NYU film school, Roth wrote and directed a student film called Restaurant Dogs as an homage to Quentin Tarantino's Reservoir Dogs. The film was nominated for a Student Academy Award in 1995, and won its division (Division III.) Through his internship with producer Fred Zollo in years prior, Roth met David Lynch, and Roth remained in contact with Lynch over the years, eventually producing content for Lynch with his fledgling website in the late 1990s. Roth met film and TV composer Angelo Badalamenti through Lynch; Roth would later use Badalamenti's music in his first feature film. Roth also met a member of special effects company KNB EFX through Lynch; KNB EFX would later contribute to his first feature. Roth moved from NYC to LA in 1999; shortly thereafter Roth wrote, directed, edited, produced, animated, and provided voices for a series of animated shorts called Chowdaheads for Mandalay Sports Entertainment. The shorts were intended to be shown between WCW Monday Nitro pro wrestling matches, but the C.E.O. of WCW who had green lit the project was fired the weekend before the aired, and they were never actually broadcast, despite being completed. Roth's friend Noah Belson co-wrote the shorts and provided additional character voices. After receiving $40,000 from the website Z.com to deliver a 5-minute pilot, Roth wrote, directed, animated and produced a series of stop-motion shorts in mid-2000 called The Rotten Fruit. The company (z.com) folded shortly after several episodes were completed, and the domain name "z.com" was picked up by Nissan years later to promote their sports car of the same name. A portion of the work for The Rotten Fruit was done at the Snake Pit studios in Burbank using miniature sets, poseable clay and foam figures, two high-end digital still cameras, and a pair of Macintosh computers. Roth's friend Noah Belson co-wrote the shorts and provided additional character voices. In 1995, a year after graduating from NYU, Roth co-wrote Cabin Fever with his roommate and friend from NYU Randy Pearlstein. Roth based the premise of the script on his own unfortunate encounter with an allergy he contracted while training horses at a farm in Selfoss, Iceland, in 1991. Much of the script was written while Roth was working as a production assistant for Howard Stern's movie Private Parts; Stern remembered and congratulated Roth on his January 11, 2006 radio show. Roth's NYU classmate Evan Astrowsky agreed to sign on as a producer Cabin Fever with Roth; Astrowsky brought the project to a pair of producers he had worked with before, Lauren Moews and the North Carolina-based Sam Froelich. The four producers were eventually able to raise enough money to begin production, but only three days before shooting began the main funding pulled out. They had already spent $50,000, but did not shut down production, and were raising money every day while they were shooting. Cabin Fever was filmed in 2001 on a shoestring budget of $1.5 million (raised with private investors, including Roth's own father who put in his retirement savings, and Roth's Aunt Gladys) despite being shut down by the union, who demanded back pay and took a good deal of the profits. Cabin Fever was sold at the 2002 Toronto Film Festival for $3.5 million dollars after a massive bidding war between eight studios. It was the biggest sale of the festival that year. Cabin Fever made $34,553,394 theatrically worldwide. It was the highest grossing film for Lionsgate that year (who also committed $12 million to prints and advertising for the film). Lionsgate used the theatrical success of Cabin Fever to raise the money to purchase Artisan Entertainment. Lionsgate's stock rose from $1.98 a share at the time Cabin Fever was purchased at the Toronto Film Festival to nearly $6 a share after "Cabin Fever" was released theatrically. Roth's second feature film, Hostel, was made on a budget of a little more than $4 million, in 2005. It opened to #1 at the box office in January of 2006, taking in $20 million dollars opening weekend, and knocking out The Chronicles of Narnia from the #1 spot. It went on to gross $80 million worldwide in box office, and over $180 million worldwide on DVD. In April of 2006, on Eli Roth's birthday, Hostel opened on DVD at #1, again outselling The Chronicles of Narnia, which had opened at the #1 sales slot only one week prior. The movie takes place in Slovakia, where three college students visit a hostel, where they think that all of their sexual fantasies will come true. Instead, they find an international syndicate with the express purpose of torturing and killing backpackers for the sadistic pleasures of rich businessmen. The film pushed the boundaries of realistic violence and was voted the #1 scariest movie moment on the Bravo TV special 100 Scariest Movie Moments: Even Scarier Moments. Empire Magazine readers voted the "Hostel" Best Horror Film of 2006. In October 2007 H.M.V. stores annual horror poll ranked "Hostel" as one of the ten scariest horror films of all time. It was the only film on the list made after 1988. Roth reportedly turned down numerous studio directing jobs to make Hostel. Roth took a directing salary of only $10,000 on Hostel in order to keep the budget as low as possible, so there would be no limitations on the violence. Roth shot the film as an NC-17 movie, but the film passed through the ratings board with an R. At the very first public screening of "Hostel" at the 2005 Toronto Film Festival, two separate ambulances were called for people having such extreme reactions to the film. One man left the theater during Josh's torture, fainted, and tumbled down the escalator, and during Paxton's torture a woman had festival volunteers call an ambulance, claiming the film was giving her a heart attack. Both patrons were okay, and local media thought it was a publicity stunt by director Eli Roth. Ironically, Roth knew nothing of the incident, as he was in the theater watching the film, and only found out after when he was told by festival programmer Colin Geddes of the chaos that transpired. In January 2006, film critic David Edelstein in New York Magazine credited Roth with creating the horror sub-genre 'torture porn,' or 'gorno,' using excessive violence to excite audiences like a sexual act. Writer and Attorney Julie Hilden denounced the term 'Torture Porn' and defended the "Hostel" films in an essay. In 2007, Roth directed the fake trailer segment Thanksgiving for Grindhouse, in addition to acting in Death Proof, Quentin Tarantino's segment of the film. Roth and co-writer Jeff Rendell won a 2007 Spike TV Scream Award for Best Screamplay for their writing in "Grindhouse," sharing the award with Quentin Tarantino, Robert Rodriguez, Rob Zombie, and Edgar Wright. While Hostel Part II did not produce the same box office results as the first Hostel, the production costs were a mere $10 million dollars, and earned close to $30 million dollars worldwide within three weeks of its release, and was nominated for six Spike TV "Scream Awards," more than any other horror film that year. Roth was nominated for Best Director, and along with singer Amy Lee introduced the grand finale of the show, an all star tribute to Alice Cooper. Roth is working on other film projects, including an adaptation of the Stephen King novel Cell. He also talked about doing a film called Trailer Trash; a film made of fake trailers; according to an appearance on G4. Roth confirms that MGM will be releasing Trailer Trash on August 22 2008, Roth was quoted saying "Trailer Trash is not a horror film, it's a comedy. It will be very R-rated and completely insane, and I'm producing it with Mike Fleiss". Roth has been a guest on "Jimmy Kimmel Live," "Your World Today with Neil Cavuto," "The Howard Stern Show," "Late Night With Conan O'Brien," and served as a guest judge on the filmmaking reality series "On The Lot." He has been profiled and interviewed in the New York Times, G.Q., Elle Magazine, Maxim, Le Monde, La Republica, Time Out: London, Time Magazine, Empire Magazine, Premiere, and Italian Vogue. Dolce & Gabbana and Nike give him clothes for all his public appearances. Roth has also appeared three times as an answer in the New York Times Sunday crossword puzzle. "Men's Fitness" magazine voted Roth Most Fit Director in their July 2006 issue, a title Roth takes very seriously with a strict workout routine that he documents on the "Hostel" DVDs. Roth claims he treats every red carpet like it was a Milan runway, and often jokes that he only makes films as a way to live out his lifelong dream of being a male supermodel. He spoke of his love for fashion in his interview in the October 2007 issue of Italian Vogue. Roth is an accomplished animator, having written, produced, directed, animated and voiced two series: Chowdaheads (1999) and The Rotten Fruit (2000). Chowdaheads was co-written and co-voiced with friend Noah Belson, and was made with traditional hand-drawn animation. The Rotten Fruit, which Roth again co-wrote and co-voiced with Belson, was made with stop-motion animation done with foam puppets. Roth also participated in the 2006 animated comedy film, Disaster!, voicing the lumberjack during the opening moments of the film. The comical 'death by squirrels' the lumberjack suffers is inspired by Roth's gruesome and often ironic ways of killing characters in his own films. Roth participated in a DVD audio commentary for Blood Sucking Freaks in 1996, having no formal credits, as a "Blood and Guts Expert." The DVD is one of the highest selling DVDs for Troma. Roth often makes uncredited cameos in Troma films, thanks to NYU friend Gabe Friedman, a former Troma editor also hailing from the Boston, MA area. Won a Student Academy Award in 1995 for his N.Y.U. thesis film "Restaurant Dogs." Spent 6 years researching a project for director David Lynch and composer Angelo Badalamenti that will be written for Broadway. Got his idea for Cabin Fever when he was in Iceland and contracted a lesser case of the flesh-eating disease. The now infamous shaving-legs scene in the bath tub is based on when Roth shaved his face and layers of skin came off while having the disease. Was the inspiration for the character Eli, the aspiring porn director, in the film The Girl Next Door (2004). One of the writers was friends with Cabin Fever (2002) editor Ryan Folsey, and spent time in the editing room, secretly writing down everything Roth was saying. Roth found out about this when several actors he knew auditioned for the film, and told him there was a character named Eli who spoke exactly like him. Roth confirmed this with the writer, who was promptly kicked out of the editing room. Is friends with director Chloe (aka Chloe Nichole, who directed the "Cabin Fever" X-rated parody Sex Fever (2003) (V). Chloe had visited the Cabin Fever (2002) set during shooting, and then directed the sexy spoof without telling Roth. In Sex Fever (2003) (V), Chloe spoofed Roth's character Justin, making her director's cameo as a lost hiker, just as Roth did in Cabin Fever (2002). Roth was flattered she made the film, but was disappointed he was not invited to visit her set in return. Suffers from Psoriasis, a genetic, non-contagious skin disorder, which can have crippling effects. When Roth suffered his first attack at age 22, his skin was cracked and bleeding so badly that he could not walk or wear clothes. He based many of the events in "Cabin Fever" on his own skin-curdling experiences. Paid for his student films by working as an on-line sex operator for Penthouse Magazine, back when only doctors and scientists were on the internet. Subscribers paid $30 an hour to have sex with Roth and his N.Y.U. friends, thinking they were gorgeous Penthouse models. Roth claims that these experiences inspire many of the characters he writes today. Quentin Tarantino calls him "the future of horror," and praised his work in the May 2004 issue of Premiere Magazine. Is a huge fan of Mary-Kate Olsen and Ashley Olsen. While filming Cabin Fever (2002), Roth played the Olsen Twins's film Holiday in the Sun (2001) on a continuous loop in a screening room, to give the cast and crew "artistic inspiration." When he worked as a production assistant for Howard Stern on the set of Private Parts (1997), he worked the late shift from about 11pm to 7am. During this time he spent rewriting and reworking the Cabin Fever (2002) script because he says it was "problematic" at best. Brother of Adam J. Roth and Gabriel Roth. Son of Sheldon Roth and Cora Roth. Shared nearly all the profits from the enormously successful Cabin Fever (2002) with his cast and crew members, who took very little pay up front in order to get the film made. Does incredible voice impressions, and will often entertain his cast and crew during long camera setups with imitations of everyone working on his film. Was fired by director Martin Brest on Meet Joe Black (1998) for being an "untalented stand-in." Roth later worked on the film as a production assistant, but was hidden from the director and put in the basement of the studio, where he turned the air conditioning on and off between takes. Does not take the "film by" or "an Eli Roth film" credit because he believes that people should be able to distinguish your work from the film itself, not the opening titles or poster. He believes filmmaking is a collaborative process, and feels the credit disrespects the people who brought their own creativity to the project. Owns an Icelandic horse named Bara, who he keeps on the horse farm in Selfoss, Iceland, where he lived when he was 19. His father Sheldon Roth is a world renowned psychiatrist/psychoanalyst and a professor at the Harvard University medical school. His mother Cora Roth is a painter who shows her work at the O.K. Harris gallery in New York City. Was originally approached to be the voice of the computer trivia game "You Don't Know Jack," but turned it down to write Cabin Fever (2002). Spends every summer at Mohonk Mountain House in New Paltz, New York. Roth claims that the beautiful old hotel, built in 1869, is a continued source of inspiration for scary ideas. Other guests of the mountain house include Roth's favorite writer Stephen King. Cannot stand the sight of real blood, saying it makes him sick to his stomach. Movie blood, however, has no effect on him. Is an expert on the relatively unknown scientist Nikola Tesla. Roth owns copies of every known letter Tesla ever wrote, including rare letters to Tesla's family and to financiers when his projects fell apart. Roth shares similar obsessive compulsive disorders that Tesla had, and has said he feels a strange connection to the forgotten scientist. Is deathly allergic to cats, and cannot be in the same house as them. Member of the unofficial "Splat Pack," a term coined by film historian Alan Jones in Total Film magazine for the modern wave of directors making brutally violent horror films. The other "Splat Pack" members are Alexandre Aja, Darren Lynn Bousman, Neil Marshall, Greg Mclean, James Wan, Leigh Whannell & Rob Zombie. The total combined production budget of Eli Roth's first two films is $6 million dollars. The total worldwide theatrical gross of Eli Roth's first two films is well over $100 million dollars. With DVD sales and rentals, the total revenue generated by Eli Roth's first two films is over $200 million dollars. Was voted "Most Fit Director" in the June/July 2006 issue of Men's Fitness magazine, which ranked the "25 Fittest Guys" in various professions. Was voted by fans into the Fangoria Magazine Hall of Fame in June 2006 after directing only two films, the fastest of any director ever to receive that honor. Is red/brown and blue/black color blind in low light. Writes all of his scripts long hand, a practice he started on the advice of Quentin Tarantino. Roth writes in a handwriting so illegible that only he can read it in case he loses his notebook. Eli Roth is considered one of the most profitable directors working in film today. Both of his first films, "Cabin Fever" and "Hostel" earned over five times their production cost at the box office opening weekend. Neither film boasted major stars, proving that Roth's name guarantees a built in audience. One of his favorite movies is Wicker Man, The (1973). Gave an expert commentary on Troma's DVD release of The Incredible Torture Show (AKA Blood Sucking Freaks). Formed production company, Raw Nerve, with film directors Scott Spiegel and Boaz Yakin, which focuses on producing horror films. Great admirer of Serbian scientist Nikola Tesla. Roth had a role in Quentin Tarantino's half of Grindhouse, Death Proof, in a scene with Jordan Ladd. Tarantino was so impressed by Roth's brief role as Justin in "Cabin Fever," he asked Roth to audition for the film. Roth left his preproduction on "Hostel Part II" in Prague to fly to Austin Texas for one week to film the scene at the Texas Chili Parlor. Roth said working as an actor for Tarantino was like taking a masterclass in directing, and said the only directors he would ever act for were people who had won the Palme D'Or at Cannes. Roth also made appearances in several projects that David Lynch directed for Davidlynch.com. Eli Roth brought the now-infamous "Raiders of the Lost Ark" shot for shot remake by kids to the attention of both Harry Knowles and Steven Spielberg. Roth had a copy in his collection of videos for years before showing it at Harry Knowles' butt-numb-a-thon film festival in December, 2002. The response was so overwhelming that Roth took the tape to his very first meeting at Dreamworks, and gave it to an executive to give to Steven Spielberg. The executive called Roth the next week saying that Spielberg loved it and wanted to contact the filmmakers. Roth had never met the filmmakers, but google searched every name in the credits until he got a hold of Jayson Lamb, the cinematographer. The three filmmakers, Lamb, Chris Strompolis, and Eric Zala had not spoken to each other in years when Roth contacted them out of the blue saying that Spielberg wanted to write them a letter. This reunited the friends, who began touring the world doing charity screenings with the film. Roth felt that the film was so powerful he had to do whatever he could to make sure fans around the world saw it. Roth introduced the film at its premiere at Mann's Chinese Theater in May of 2008, five and a half years after he first got the tape to Knowles and Spielberg. |
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